for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive what many consider to be the holy grail of chicago funk, boogie and soul.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive – what many consider to be the holy grail - of chicago funk, boogie and soul.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive what many consider to be the holy grail of chicago funk, boogie and soul.

next up creme organization is a return by regular artist lake haze. following his natural insight ep earlier in the year comes intergalactic communicationz, four more fresh tracks of acid, techno and electro that is brilliantly evocative. the portuguese artist known as goncalo salgado also please son labels like unknown to the unknown and is a real hardware master. at the gates ov futron is a turbulent lack track with zipping acid and a cacophony of percussion that is visceral as well as cinematic. drexciyan aquarium is, as the name suggest, an aqueous electro track that slithers and slides through an expansive underwater world. poseidon s dream then offers a more rugged electro groove that is backed by heavenly pads and a real sense of loss in the synths. last of all, intergalactic communication closes out this far travelling and intergalactic ep with a sci-fi deep house track that is filled with light, 909s and a sense that the end of the world is coming.

outcast oddity returns for their first full artist ep. who better to ask than sebastian voigt? his contribution to the label s v/a 003 compilation called lux aeterna‘, was a transcending techno trip that turned heads earlier this year. just as the ep s title, or rather the lack thereof leaves room for interpretation, this music refuses to be categorised too easily. rough around the edges but effortlessly elegant, one foot in the past and one in the present, sebastian delivers three mature tracks that evoke memories of acid house, uk rave, sweaty basements, strobe lights and euphoric moments.

nice price deal !!! alessandro bocci s first official full-length album under the m16 guise considerably fleshes out the portrait previously established on the eps he s issued since the alias s 2004 inception (prior to m16, the bologna-based producer was a member of starfuckers). in its early going, lack corner after the beat sessions sounds like it might shape up into a solid but well-behaved collection of artful techno, in particular when armati opens the set promisingly with four minutes of metronomic, bass-heavy throb, and lab 1 follows suit with an agitated broil of bottom-heavy locomotion. but a more experimental side gradually begins to declare its presence in the rippling crackle and buzzing whirrs that threaten to smother the combustible beat undercurrent pounding throughout lab 1. sounding perfectly at home in this context, the already-heard ep cut agenzia 13 then works a thunderously thudding kick drum and ricocheting percussive accents into a roiling groove that grows ever more forceful until it reaches a steamrolling climax.

anthony nicholsons name has almost become synonymous with chicago deep & soulful house music. gravity is his second album on swiss quality imprint deepartsounds. he once again sets his footprint firmly in the musical foundation, serving us 8 outstanding sweet soul tracks. the song gravitation is a mixture of wicked playful jazz and atmospheric ambient interludes. on the other side, anthonys cover version of john lennon imagine sounds already epic. he definitively never seems at a lack of musical ideas or emotions

chicagos peven everett has long had a cult following for his own unique, live take on house music. fusing the finest elements of gospel, soul, funk and disco his tracks have always had something that most other producers lack originality! his music has crossed over many different genre barriers and has been supported by the widest selection of top dj s for many years with his cuts becoming stone cold anthems in clubs across the globe. i cant believe i loved her is one such track, a soulful piece lamenting a love that went wrong, the pain and disappointment are evident in peven s voice and playing but the track remains utterly danceable, a real bomb! on it s original 2002 release the track was a huge club hit, pushing it into classic status. both original mixes are featured here on this legit reissue, 100% sanctioned by king street records, nyc. brought back for 2016, an evergreen deep house classic essential business!

new release on the berlin based lackrec.! gian, from the beginning with lack, steps up for his first 12inch on the label. tip for those who like uptempo rough 90s techno.

recorded in owls room hamburg

a negative hallucination is an idea that was first put forward by sigmund freud in 1890. he used the term to describe how a hypnotised person could be led to be unable to see a person or thing that was right in front of them once out of the hypnotised state, creating a gap in their reality. sadly, this gap in reality seems endemic in the minds of many in the world, whether from lack of access to facts or from wilful ignorance. the result is the same regardless: a world where many oppressed peoples reality is edited out of the conversation. noleian reusse (half of africans with mainframes) and thomas cox (one third of pittsburgh track authority) got together in the studio in pittsburgh during a week of extreme social unrest in the usa in late 2015, resulting in these recordings. the tracks are crafted with a stripped back electronic funk and a stark, relentless feel that reflects the energy in the air at the time. as long time fans of politically and socially charged music like public enemy, underground resistance, nwa, dopplereffekt, and gil scott-heron, noleian and thomas have taken these influences and mixed them with their own styles to come up with a modern dancefloor version of those ideals. lead track solidarity fills the whole a side with its optimism. soulful melodies and strings conquer the driving rhythms, bringing a sense that through sticking together, a better future is possible. the b side s perspective is darker. police state is a crazy raved out banger that combines gritty acid and harsh tones that channel the day-to-day existence for far too many urban people. the third and final cut, surveillance, is a paranoid, spacey techno track that would be ideal as a soundtrack for closed-circuit television video reels. this snapshot of urban life is tied together through artwork by andrew burger, whose mix of throwback style and current ideas nails the dystopian existence that is now reality as predicted so long ago by orwell, huxley, lucas, and many more.

the second release presents a new front left artist – daito (lenny jäzosch). daito is the japanese term for different kinds of swords, used by samurais. this describes his sharp and detailed sound without the lack of emotions & soul. being a regular raver, his productions are dance floor motivated, containing special moments that can be felt when you are dancing to it. his influence comes from an earlier style of techno with a raw and inspiring sound. on the b-side, you will find elad magdasi – a regular front left raver who debuted on the first release(finger trip ep). his style is classic, diverse and 90s influenced. elad is returning with two different types of techno creations.

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

yachting club, if the name evokes a leisurely walk on the deck of a boat, the first ep of yxc reveals the depth of an imaginary journey that does not lack elegance. released in september 2015, captain s memories invites us to a timeless journey into the intricacies of sound, which combines, post industrial clatter of a fantastic boat, unceasing sea rolls, and the harmonies of souvenir.the slow and hypnotic groove, between brokenbeat, abstract, downtempo and film music gives way to reverie but often reveals a delicate nostalgia. quick descriptions of tracks : “havre” describes the encounter between our main character and a local tribe, the broken beat leaves places to their chant both welcoming and threatening.“ancient horror”. on a disturbing 90’s hip hop beat, synths and brass sample narrates the epic fight between the captain and a mythical beast. “captain’s memories”: this beatless track, punctuated by agonizing strings invites us to journey with the captain’s nostalgia, the sea he traveled, the women he met..

„closed sessions“ is a little comeback for our small family business rivulet records, so we re very happy to get help from some good friends on this one. pablo mateo from lack, perseus traxx who has released on bunker and mos, mod.civil from ortloff in leipzig, profile from esthland and our very own stanley schmidt are artists who have been inspiring and exciting us for quite a while and who seem to share the same love for serious dancemusic. although the tracks are very different, the whole compilation is driven by a dark and moody vibe which doesn t let go the utopian and hopeful core of housemusic which has been the light we re been running for since one of these mornings… we hope you like what you hear, thanks for the support! yours sincerely, rivulet.

barker & baumecker and ivvvo remix 2 original tracks from the groovement catalogue and contribute with exclusives for the “10 is not enough” compilation to celebrate the label’s 10 years journey. these 2 reworks are dense, dee023p and rhythmically strong. being distinct, the tracks complement each other giving this 12” a coherent authorship. already being played in clubs such as berghain (berlin) or lux (lisbon) this release marks the label’s longevity and also its connection with the main music cities of the world

the audio-cassette that will change your world! non-concessive creative energy against the common lack of new ideas and thrown away idealism for easy money! - so it says on the cover of the cassette from where these tracks have been taken. we make this statement ours and press this synthesized madness on vinyl. to enhance all your excessive behavior, play it very loud.

fine quality peak time techno rooted in the best detroit traditions with a bit of that berlin rawness. tracks produced by liit who recently made an excellent debut on the lack label. recommended!.

kann selected another proper * family horror* 8 track compilation with both renowned and new faces, after the first edition saw the day of light in 2011. check out the range that represents their own vision of spacey house & deeper techno nowadays. for this reissued family celebration the following relatives joined the stock: pablo mateo from hot burning lack rec., knutsson / berg - a sweet swedish collaboration of hans berg and johanna knutsson, llewellyn aka lake people, hiver from curle recordings fame and more of the label’s local connections such as perm the analog prince, falke, qy and alkohole.

after their debut on vakant we present you cw/as next offering, day of riddance. feeling right at home on parachute with its lack of genre-defining ties, the record features 3 road-tested live extracts alongside remixes from stroboscopic artefacts head honcho lucy and ilian tape boss dario zenker. cw/a is the live project from long-time friends and studio partners thomas (avatism) and francesco (clockwork) originally a live amalgamation of their solo material, it eventually evolved into a broader, more dynamic improvisa- tion-centric performance focused on experimenting around the outskirts of techno, jungle and electronica. we hope this release gives you an insight on both our vision and cw/as: a barrier-trashing wall of sound that goes from live settings into the studio and back.

next release on berlins label lack records! includes two endless loops

seit 2009 treffen sich die drei ausnahmekünstler keiji haino, jim o rourke und oren ambarchi immer um die jahreswende herum im superdeluxe in tokyo, improvisieren zusammen gigantisches und veröffentlichen auszüge davon dann ein knappes jahr später. das albumartwork wurde erneut in wundervoller weise von stephen o malley gestaltet. *only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen* ist der mittlerweile fünfte streich des power trios, dieses mal handelt es sich um die aufnahme des kompletten ersten sets vom märz 2013. das zweite set wird voraussichtlich im herbst veröffentlicht!

you can tell label owner max m loves producers that arent afraid to experiment with the most hypnotic and mind bending properties of techno and electronic music in general. with seven release under its belt, its now obvious that grey series was conceived around a very clear idea: organic sounds, complete lack of stylistic restrictions and an overarching love for introspective and crepuscular atmospheres. the eighth 12inch in the series is signed by spanish producer tadeo, who follows a long list of releases on his very own cyclical tracks and another intelligence imprints with four caliginous cuts that belong to the brainiest and state inducing sets

igor vicente is a name that many may not have heard of yet, but this it is not from lack of presence in the scene. from his legendary wild family parties in belgium, to his recent state of flow residency at world-renowned fuse club, and his collaboration as ultrasone, this quick rising star is becoming a tour de force within the spectrum of house and techno

with *closer* masterton debuts on blackfoxmusics 19th release (bfm019). *closer* is a warm track with a deep groove and beautiful melodies. it relates to living in a long distance relationship and overcoming a lack of proximity.
robert babicz (babiczstyle, systematic, bedrock records) created an incredible remix. he used lots of the original melodies, combined them with new elements, added rolling drums and a thick bassline to give the track the extra drive. his remix became a constant part of his live sets and was debuted with great response at grelle forelle (vienna) and ritter butzke (berlin).
channel x (stil vor talent) remixed *closer* into a pretty cool and clubby deep house track. you can feel their berlin origin when listening to the groovy bassline with variations of the melody. finally the breaks capture the mood of the dissonant sounds from the original track.

played by tim sweeney & dj nature
detroit has been stretching its influence over creative lisbon in recent years. helder russo, a newcomer, reflects that underground evidence on his debut 12 inch for groovement. you ll hear that inspiration manifesting not only throughout his musical output but also embodied on the b side remix, delivered by the iconic and legendary motor citys producer niko marks, long time artist at planet e . i dont know ep has been in the making for a while but its finally complete, containing 3 original tracks and one remix by the great niko marks

3 tracks inside and outside the tradition of classical scores and synphonies usually divided into 4 times, where elements of the composition are back with a deep or shallow drama. the sounds of heavy techno and rough hardcore are slowed down in a minimalistic and environmental casing. atmosphere and climate are counterpointed by a vision and historical journey that fuses and confuses the machines with the meat: replaces and softs the sincopatic moments of time that is missing. bruit as a psychic disorder and a lack of physical stability, phonies as futile attempt at harmony and empathy.

more than six years into his career after several eps and a full album, there isn’t much known about ben gibson, and he is clearly keeping it that way with intent. gibson first emerged on jeff mills’ experimental, influential 6277 sublabel but then again vanished into the ether, he only reappeared three years later on perc trax, even more surprisingly with a full-length. since then, he’s gone on to steadily more notice with perc’s imprint, sect records, and most recently m_rec ltd in spite of the continuing lack of information. exposure isn’t the most important thing for us at chronicle though, and after hearing these five tracks, we saw exactly what it is that drew mills to him from the beginning. it is a sound that we find a perfect fit for the techno futurism of our chronicle series, and here we offer a platform for gibsons more sci-fi, ethereal sounding material, exclusively on vinyl for the fifth edition of our sublabel.

we are excited to present the remixes of the amazing album behaving like a widower by producer holger zilske and swedish singer-songwriter august landelius. the album was released on our label in 2011 and was nominated for the award deutscher radiopreis in the same year. behaving like a widower is so good, it actually wouldnt require any remixes. nonetheless, our friends went down to work with great care and passion for detail. monokle, nocow, almunia, kim brown, stimming, dave dk, irrelevant and lake people have contributed to this double vinyl. its up to you to choose whom you prefer! vinyl tastes better

chris spero (otherwise known as uk house and techno producer glimpse) and hypercolour co-founder and producer, alex jones, return once again as dense & pika to the hotflush fold with move your body back. having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, dense & pika went on to bolster their rising profile with the release of their hotflush debut (crispy duck) which landed late last year as well as with their memorable live set at hotflushs recent boiler room takeover. there is nothing chin-strokingly complicated or needlessly over-worked about their productions. they make interesting techno aimed at the dance floor and move your body back continues with this central aesthetic. the three track ep plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno. the title track of the ep may already be familiar to many having appeared on their resident advisor podcast in march and is already being played out by maya jane coles, boddika and adam beyer, amongst others.

300 x limited vinyl only release, hand stamped and numbered “it’s quite overpowering… no point in standing round” the first release from a new producer rarely sounds like this. swaggering through your speakers with a distinct lack of concern for weak hearts or brittle bones, the first record from blured is a focused combination of dirty funk and malignant, pig-iron bass.

hollands fah aka robin de bekker enters the scene with this heavy, braindance inspired five tracker. opener fine space is spooky and upbeat with false melodies fighting the tracks ground level acid bubbles.bonus orbits starts off as a fast electronic harpsichord cut for a smart dance floor before turning into a hectic swamp of challenging harmonies.sixears is a shorter track holding the middle ground between a moody elecktroids tune and hectic, vibert-like acid. the eps title track and centerpiece then, is characterized by rewinds, whistles, haunting melodies and a total lack of repetition, its a 9 minute long excursion into the most unreal part of bekkers mind. fah finally says goodbye with an eerie cut that sounds like a humming predator with no food to eat. fahs first one for 030303 comes with appropriate, occultist artwork.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.

after keeping quiet for a year the mysterious story label proves with in 3 chapters that there still remain fresh and exciting yarns in house music worth to be told. and while the story-teller remains anonymous as always he certainly doesnt lack in distinctive style and bravura as he carves out with rich imagination and pointed quill slightly fragile sounding yet carefully interlaced swinging beat structures masterfully lined and intervowen with melancholic organ chordes and sketches of blissed out rhodes melodies.

its impossible to describe without metaphors what happens when listening to the debut album >behaving like a widower< by yoko duo. holger zilske and august landelius draw bright paintings withcool colors, framed by a mosaic ofdelicate glitches. this music comeswithout any irony or cynicism. thisalbum guarantees a prominentplace in the gallery of soulful legacyof the electronica genre for the yoko duo. vinyl tastes better.

james blake returns to the label that gave him his debut release with two brand new sub heavy club tracks. hemlock were responsible for his air and the lack thereof single back in 2009. neither >order< or >pan< have appeared on blakes soulful, electronic self-titled album from this year, the new material sees the return of blake into the more sparse, experimental and wobbling bass heavy sound of his earlier work

mo record kicks is back! and act ii is an even heavier collection of rk exclusives, b-sides, remixes and material that appears on cd and compilation for the very first time.
from deep funk to afrobeat, early reggae and vintage soul, mo rk ii packs in the best of the record kicks sound. whether you are a cool cat or a funky monkey, this collection will have you out of your seat and ready to hit the dance-floor at any time or day!

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

including mp3 download code.
>good things< marks a shift in methodology from personal to political for aloe blacc, who refers to the project as his report on present conditions - the misappropriation of wealth, pillaging of resources, a universal lack of compassion, and the struggle to survive. ethereal production from truth & souls leon michels and jeff silverman mask a foreboding undercurrent in which aloe blacc crafts thought provoking lyrics. nowhere is this more evident than on lead single >i need a dollar< - theme for hbos >how to make it in america<.

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

supported by tolga fidan, someone else, the mountain people, 2000 and one, renato cohen, karotte, butane, bloody mary.... following the hot release from chris lattner…einmaleins musik introduces a very special release from new added artist aldo cadiz (chile) which spreads again our very unique trademark style of music. each track shows aldos ability to create an efficient and deep sound from a few sounds without a lack of feeling.

turning and turning in the widening gyre
the falcon cannot hear the falconer,
things fall apart, the centre cannot hold,
mere anarchy is loosed upon the world,
the blood-dimmed tide is loosed, and everywhere
the ceremony of innocence is drowned,
the best lack all conviction, while the worst
are full of passionate intensity.

surely some revelation is at hand,
surely the second coming is at hand.

makaton on token: a secret form of punishment

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

nosferatu delivers a slamming release on enzyme records. this record contains 3 solo tracks by nosferatu and a collaboration between nosferatu & mad dog (traxtorm records). lack of existence is a melodic track which has been played by all the top jocks the last months. a huge floor filler with a great melody. its great to hear the personal elements of both producers in this track. intimidation is an energetic track with cool vocals and a very effective riff. bloodlust is the second melodic track on this release. nosferatu asked nikkita to record some vocals for this track. the result is a massive mainstream hardcore track with an amazing melody! this track is also heavily supported by many djs. the last track on this release is the original wolves of creation. a very slow, bumpy track with funny vocals and an amazing drive!

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

johannes lehner aka el gonzo is one of the most promising figuers in electronic music from austria right now, the vienna resident hosts his own night @ legendary flex club and is in charge for do easy records. he delivers three outstanding strong tech house tracks with the infectious smart one standing out with a wonderful quickly recognizable and incredibly pushing piano melody and kinky fat beats. one on one is the kind of percussive powerful funky looped tech-house most dj sets lack of nowadays whereas thai mansion shows pure deep house passion both classic and future, with a driving beat. early support from: ashley beedle, milton jackson, audiofly, thomas schumacher, anthony collins, chris lattner, mat tolfrey, stacey pullen

subversive drop yet another bomb massive over at wmc 09 the classic >freaks come out< gets 4 fresh new mixes which lack none of the originals energy. cevin fisher has been remixing & making records since 95 & has a cv as long as your arm. new reworkings by anil chawla, tim davidson and eric entrena are included in part 1 of the 10th anniversary mixes, but the real jewel comes from fast-rising brighton-based house producers prok & fitch , whove turned in one of their mixes to date

mark knight returns with his miami vices guise another superb ep. 3 well known tracks get the makeover treatment this time taking his inspiration from some classic hip house moments and bringing them bang up to date sure fire winners as ever!!